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Sincronicidade

Carl Jung define sincronicidade como uma sequência de acontecimentos, não casuais,
que se articulam entre si por relação do significado que comportam. São uma conjugação de
coincidências significativas que de forma sincronística se articulam para um entendimento
mais alargado e consciente da experiência e da ação humana.
A sincronicidade, por essência, distancia-se do conceito de aleatoriedade, apesar de
próxima na sua formulação, centra-se na noção da acasualidade, registando que um conjunto
de eventos pode coincidir física e simbolicamente de forma significativa para quem os
vivencia, sugerindo, subjetivamente, que estes acontecimentos encerram em si um padrão
subliminar. Em dadas circunstâncias, estes fenómenos manifestam-se em enquadramentos
atemporais e em eventos energéticos acausais, contradizendo os princípios científicos
vigentes.
Neste arquétipo reside a raiz sensorial onde Cristina Perneta escora o seu trabalho e,
consequentemente, a sua visão do mundo. Com um vínculo íntimo ao meio que a rodeia e aos
elementos (água, fogo, terra e ar), procura sincronicidade na natureza que a envolve e, que
escolhe, conscientemente, representar eternizando a sua visão e vivência do lugar.
Fazendo âncora da premissa que exorta e fortalece o desejo pelo registo gráfico e
visual que eterniza o momento, marca compulsivamente os suportes, lançando um olhar
fotográfico e contemplativo, mas, não causal, sobre todas as coisas. Trata-se de um ato quase
tão necessário à vida como respirar. Com este impulso magistral, Cristina Perneta regista os
elementos e enquadramentos que lhe são dados a ver, construindo um padrão,
inadvertidamente fragmentado ― como a própria vida―, mas que intuitivamente articula para
um entendimento da plenitude matérica do lugar que a envolve. A sua Ilha é a sua essência e a
sua pegada. A sua matriz.

Márcia de Sousa
Casa das MUDAS Gallery
December 2023

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Synchronicity

Carl Jung defines synchronicity as a sequence of non-random events that are linked to
each other in relation to the meaning they carry. They are a combination of significant
coincidences that synchronistically come together for a broader and more conscious
understanding of human experience and action.
Synchronicity, in essence, distances itself from the concept of randomness, despite
being close in its formulation, it focuses on the notion of non-randomness, noting that a set of
events can coincide physically and symbolically in a meaningful way for those who experience
them, suggesting, subjectively, that these events contain a subliminal pattern. Under given
circumstances, these phenomena manifest themselves in timeless frameworks and acausal
energetic events, contradicting current scientific principles.
In this archetype lies the sensorial root where Cristina Perneta supports her work and,
consequently, her vision of the world. With an intimate bond with the environment that
surrounds her and the elements (water, fire, earth and air), she seeks synchronicity in the
nature that surrounds her and which she consciously chooses to represent, immortalizing her
vision and experience.
Anchoring the premise that exudes and strengthens the desire for the graphic and
visual record that immortalizes the moment, she compulsively marks the material supports,
casting a photographic and contemplative, but not causal, look at all things. It is an act almost
as necessary to life as breathing. With this masterful impulse, Cristina Perneta records the
elements and frameworks that are given to her to see, building a pattern, inadvertently
fragmented – like life itself –, but which intuitively articulates towards an understanding of the
material plenitude of the place
Carl Jung defines synchronicity as a sequence of non-random events that are linked to
each other in relation to the meaning they carry. They are a combination of significant
coincidences that synchronistically come together for a broader and more conscious
understanding of human experience and action.
Synchronicity, in essence, distances itself from the concept of randomness, despite
being close in its formulation, it focuses on the notion of non-randomness, noting that a set of
events can coincide physically and symbolically in a meaningful way for those who experience
them, suggesting, subjectively, that these events contain a subliminal pattern. Under given
circumstances, these phenomena manifest themselves in timeless frameworks and acausal
energetic events, contradicting current scientific principles.
In this archetype lies the sensorial root where Cristina Perneta supports her work and,
consequently, her vision of the world. With an intimate bond with the environment that
surrounds her and the elements (water, fire, earth and air), she seeks synchronicity in the
nature that surrounds her and which she consciously chooses to represent, immortalizing her
vision and experience.
Anchoring the premise that exudes and strengthens the desire for the graphic and
visual record that immortalizes the moment, she compulsively marks the material supports,
casting a photographic and contemplative, but not causal, look at all things. It is an act almost
as necessary to life as breathing. With this masterful impulse, Cristina Perneta records the
elements and frameworks that are given to her to see, building a pattern, inadvertently
fragmented – like life itself –, but which intuitively articulates towards an understanding of the
material plenitude of the place place that surrounds her. Her Island is her essence and her footprint. Her life matrix.

Márcia de Sousa
Casa das MUDAS Gallery
December 2023